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George Benson: Biografia | Biography
Source: allmusic.com
Simply
one of the greatest guitarists in jazz history, George Benson
is an amazingly versatile musician, whose adept skills find him
crossing easily between straight-ahead jazz, smooth jazz, and
contemporary R&B. Blessed with supreme taste, a beautiful,
rounded
guitar tone, terrific speed, a marvelous sense of logic in
building solos, and, always, an unquenchable urge to swing, Benson's
inspirations may have been Charlie Christian and Wes Montgomery, but
his style is completely his own. Not only can he play lead
brilliantly,
he is also one of the best rhythm guitarists around,
supportive to soloists and a dangerous swinger, particularly in a
soul-jazz format. Yet Benson can also sing in a lush, soulful tenor
with mannerisms similar to those of Stevie Wonder and Donny Hathaway,
and it is his voice
that has proven more marketable to the public
than his guitar. Benson is the guitar-playing equivalent of Nat King
Cole -- a fantastic pianist whose smooth way with a pop vocal
eventually eclipsed his instrumental prowess in the marketplace --
but unlike Cole, Benson has been granted enough time after his fling
with the pop charts to reaffirm his jazz guitar credentials, which he
still does at his concerts.
Miles in the SkyBenson actually started out professionally as a singer, performing in nightclubs at eight, recording four sides for RCA's X label in 1954, and forming a rock band at 17 while using a guitar that his stepfather made for him. Exposure to records by
Christian, Montgomery and Charlie Parker got him interested in jazz, and by
1962, the teenage Benson was playing in Brother Jack McDuff's band.
After forming his own group in 1965, Benson became another of talent
scout John Hammond's major discoveries,
recording two highly regarded
albums of soul-jazz and hard bop for Columbia and turning up on
several records by others, including Miles Davis' Miles in the Sky.
He switched to Verve in 1967, and, shortly after the death of
Montgomery in June 1968, producer Creed Taylor
began recording him
with larger ensembles on A&M (1968-1969) and big groups and
all-star combos on CTI (1971-1976).
Breezin'
While the A&M and CTI albums certainly earned their keep and made
Benson a
guitar star in the jazz world, the mass market didn't catch
on until he began to emphasize vocals after signing with Warner Bros.
in 1976. His first album for Warner Bros., Breezin', became a Top Ten
hit on the strength of its sole vocal track, "This Masquerade,"
and this
led to a string of hit albums in an R&B-flavored pop
mode, culminating with the Quincy Jones-produced Give Me the
Night. As the '80s wore on, though, Benson's albums became
riddled with commercial formulas and inferior material, with his
guitar almost entirely
relegated to the background. Perhaps aware of
the futility of chasing the charts (after all, "This Masquerade"
was a lucky accident), Benson reversed his field late in the '80s to
record a fine album of standards, Tenderly, and another with the
Basie band, his guitar now
featured more prominently. His
pop-flavored work also improved noticeably in the '90s. Benson
retains the ability to spring surprises on his fans and critics, like
his dazzlingly idiomatic TV appearance and subsequent record date
with Benny Goodman in 1975 in
honor of John Hammond, and his awesome
command of the moment at several Playboy Jazz Festivals in the '80s.
His latter-day recordings include the 1998 effort Standing Together,
2000's Absolute Benson, 2001's All Blues, and 2004's Irreplaceable.
Three
songs from 2006's Givin' It Up, recorded with Al Jarreau, were
nominated for Grammy Awards in separate categories.
Songs
and StoriesBenson began to see numerous reissues of his catalog
material from his years with producer Creed Taylor on Verve, A&M,
and CTI, from 2008 on. In 2009, he signed to Concord and released
Songs and Stories for the label; he followed it up with his
first
primarily instrumental album in 35 years entitled Guitar Man in 2011.
Two years later, in 2013, Benson released Inspiration: A Tribute to
Nat King Cole, featuring arrangements by Nelson Riddle and Randy
Waldman. Recorded at the age of 70, it was one of Benson's finest
albums.
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