The Communards
Don't leave me this way
The Communards
Source: allmusic.com
The
whirlwind success Bronski Beat experienced during its mid-'80s
beginnings took a major toll on singer Jimmy Somerville, who
surprised a lot of people with his decision to leave the group after
only one full-length album. Thanks to the popularity of singles like
"Smalltown Boy" and a cover of Donna Summer's "I Feel
Love," both of which showcased Somerville's singular falsetto,
Bronski Beat found itself at the forefront of several countries' pop
scenes. Though Somerville's departure from the group left many
wondering what
would become of one of the gay community's most
prominent figures, the singer and songwriter didn't take long to
resurface with classically trained pianist and longtime friend
Richard Coles.
Communards
Initially named the Committee, Somerville and Coles eventually
changed names to avoid confusion with another similarly named outfit.
They opted to become the Communards, in tribute to a sect of
19th century French Republicans. Stylistically, the duo
balanced
celebratory and sophisticated dance-pop with more subdued material
that played to Coles' strengths while allowing the versatility of
Somerville's voice to come to light. Covers of two disco classics,
Thelma Houston's "Don't Leave Me This Way" and
Gloria
Gaynor's "Never Can Say Goodbye," hit the Top Five
of the club chart in the U.S. At the other end of the spectrum,
"Reprise" was one of the sharpest attacks on Margaret
Thatcher; "For a Friend" was a powerful song written for a
close friend of the duo whose life was
taken by AIDS. Both 1987's
Communards and the following year's Red performed well commercially,
spawning a number of minor hits in addition to those mentioned above.
Read
My Lips In 1988, Coles opted to leave music to be a religious
commentator. Somerville responded by going solo; by 1989, he already
had Read My Lips, his first album, out in the shops. He recorded
sporadically throughout the following decade.
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